Wading Through the Publishing River

Michelle Birbeck was my next fabulous hostess on the Heart Search Blog Tour. She wanted me to write on the subject of publishing and this is what I came up with.

You’ve spent untold hours writing your story. You’ve lovingly crafted your character and skilfully designed your plot. Having gone through editing and beta reading, your manuscript is now as perfect as you can make it and now comes the hardest decision of all – how to publish it.

As writers, most of us dream of getting an agent and being contracted to one of the ‘Big Six’ publishers, but it’s not as easy as that, is it?

Basically you have three choices; attempt to get an agent who will tout your masterpiece until you get a publishing contract, go through an Indie Publisher, or self-publish.

Traditional Publishing:

These days, it’s even harder to get an agent than ever. They are inundated by manuscripts and you can wait months for a response. The wait is agonising – I know, I’ve been there! You have to pen a killer query letter which will grab them in the first couple of sentences (no longer than one page), write a single page synopsis which will highlight the most exciting parts of your book and send in two or three chapters for them to consider. Writing a query letter which will have the desired effect is, in some ways, harder than writing the book itself. You need to research your potential agents thoroughly and adhere to their submission requirements to the letter with every ‘i’ dotted and every ‘t’ crossed. No mean feat that!

Having done all of that, you send it off with hope in your heart and wait. Several weeks or months later comes the email you’ve been dreading – the rejection. However, if this is your dream, you keep trying other agents and wait some more. It’s like a never-ending circle. Maybe you’ll be one of the lucky ones who gets picked up by an agent, but there’s more waiting in store as your agent suggests possible changes to the book and you may have to re-write sections and then there’s the time to kill while your agent tries to get you a publishing deal. While all this is going on, you are depriving potential readers of your work of art. Still, if that’s your dream you must follow it.

Indie Publishing:

This is a similar process to traditional publishing except that you submit direct to the publisher. Again, you need to do your homework and ensure the publishers you choose want the genre your novel is based in and most of them only accept submission at certain times during the year. If you send your submission in speculatively outside of their ‘open window’, it will either be deleted or thrown away.

Again, it’s important to follow the submission guidelines to the letter, and you still have to wait and be prepared for rejections.

Self-Publishing:

This is, by far, the quickest and easiest way of getting your book out to the public. You can sign up to Kindle Direct Publishing on Amazon and upload your manuscript. It’s a simple process and quite quick. If you want a paperback as well, CreateSpace or Lulu are the best, and again the process is simple. You can get free or cheap ISBN numbers through both (an ISBN is not needed for e-book through Kindle, but it does limit the availability – more on that in a minute). However, you may be limited to their distribution networks only.

If you purchase your own ISBN number, you have the flexibility to place your novel in so many more sales channels for either your e-book, paperback or both, and is something I would recommend. However, if you don’t have the time to place your book on Smashwords, Kobo, Barnes & Noble et al, you may be content to go with the distribution packages offered by these print on demand companies. Your choice!

One word of caution – don’t think about putting your novel out there before getting it professionally edited. Readers will be put off by typos and inconsistencies and ultimately this could be the kiss of death for your work. The money spent on getting your novel edited will pay off in the long run when weighed up against a tarnished reputation which is unrecoverable.

I’m lucky – I have the best of both worlds! I’m self-published under the banner of an Indie Publisher, Myrddin Publishing Group. This means I own the legal rights to my book and not the publisher, but I have the support of the team behind me.

Whatever you decide to do, you will still have to be prepared to market your book yourself. This takes time and dedication and where some authors fall down – they have no idea where to start. My advice is to look around on social media platforms and see which individuals or companies offer advice on marketing to authors and learn fast. Marketing is a whole different post so I’m not going to go into that now.

*

At the end of the day, only you can decide what’s best for you and your book. I have one or two theories of my own which are yet to be put to the test, but ultimately you need to follow your dream. Good luck!

I hope you found this useful!

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8 thoughts on “Wading Through the Publishing River

  1. Hi, Carlie. How have you been? Sorry it’s been so long since my last visit. Yeah, you’ve summed it up alright. Indie publishing may shortcut the publishing process, but there’s definitely no shortcuts to getting that professionally polished novel. Happy Holidays!

    -Jimmy

  2. Yes, a thorny path, indeed, this producing one’s own work without agent, publisher, etc..Mysterious…sort of like your heading image. I am in the mid-stream point called “marketing,” having produced our books through Createspace (incorporating and working with an illustrator, since we’re picture books.) Now I work to get eyeballs on them and I can say: I know why this part is the Waterloo for many. It all takes inordinate patience and willingness to go ever-anew into the breach, seeking new venues for one’s work, often getting little feedback. It’s a solitary journey. Then, you strike it rich (in a figurative sense) and have your books lauded by none other than a group you ardently hoped would notice.That sustains again, for a while. The real news for me is that just as I master some phase of all this, I find the rules have changed again. For instance, I just learned trailers are now needed for books in the way they’re needed for movies, and I move to accomplish that. The good news: All of this forces me to become accomplished in many areas of marketing. But it’s a full-time job. Good thing I’m retired (except for my 80-hour-a-week investment in marketing Grandpa and the Truck: Tales (for Kids) by a Long-Haul Trucker.
    In this business, only the resilient survive.

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